Huge THANKS go out to Heidi Martinuzzi, blog vixen extraordinaire behind the horror site Pretty Scary, for featuring me as Scary Stud of the Month for August. She’s hot and hilarious in equal measure, so if you have a few minutes, go check out her site and give her props. She prefers the bloody and frightening variety, but you may just want to keep them at the accolade level.

In other news, CAA rejected my query for Shelf Life without looking at it because they can’t legally do that sort of thing. Which means I need an agent to get an agent. Seriously, writing the screenplay and/or book is by far the easiest part of this business. Speaking of, I’ve sort of changed my mind about Square One and The Cull. I now see them as two books in a series of three. More on that later.

Thanks again, Heidi. Oh, and I hope my “fame” is extended a few days into September or you’ll be hearing from my agent. When I get one.

…THE CULL! It’s the sci-fi thriller with horror elements that involves a draconian plan to maintain the population of an overcrowded biodome city and how that affects a group of young friends during a night on the town. If you’ve been following, you’ll see I’ve made some small changes to the idea. For one, I’ve added “with horror elements” because it does have them and I want those readers of horror added to the list. The other change is from “depopulate” to “maintain the population”. The former suggests some form of genocide, which is well off the mark. The latter refers to a more dystopian worldview that is driven by need, which allows for that all important moral rub.

So why has The Cull won out? Well, for starters it’s a book that I have a very clear idea about, so it may be more ready than the others. It’s also more widely marketable with crossover genre appeal and a young “cast”. The concept also deals with some hot-button issues such as immigration, class distinction, climate change and even abortion––albeit devoid of any tiresome religious context. In the various characters’ journeys there are plots that involve disenfranchisement and a sense of hopelessness that I think will extend to a younger demographic, but told within a framework that appeals to an older, possibly more sophisticated audience, as well. In short, I think an agent will know how to sell it.

The reason I had been holding off on starting it was because I did see the story as perfect for a screenplay, and projects for the screen favor my chances of representation. But I decided that the budget was too high, which left me at least as far out in the cold as I am anyway.  Therefore, it stood to reason that I should choose the medium that can best tell the story in the way I want to tell it. So, having just completed a screenplay I’m proud of and presently querying, a return to prose seemed a healthy change of pace. Not that I haven’t been writing my short stories, but it’s been a while since I’ve completed sWitch (which is still working its way around the dark, query universe) and I wanted to get back to novels before I forgot how to write them.

That’s all the news for now. Stick around for progress and excerpts and feel free to contact me with any questions you may have about writing and the process of starting a writing career. I may still be climbing the hill, but I bet I can show you a few rocks and branches not to grab and maybe a few that will hold.

And now, you’re perspective video of the week and what I like to call “Full Contact Free Speech”.