The Horror…the horror…

December 21, 2011


I didn’t do well with sleeping, last night. I woke up an hour after drifting off, switched on the TV, switched it off, switched it on again, switched it back off, and finally turned the fan up so high that I could hear the wind rushing past my ears. I often need cold temperatures to sleep, as if going into hibernation. Maybe my brain atrophies just enough to allow my inner worlds to recede into the ether. Maybe, I just need a good snuggle. Dunno.

I also had quite a bit on my mind with the holidays returning and the completion of principal photography for HorrorCon. Have I forgotten to get someone a gift? Have I forgotten to shoot something? There’s that gift card I wanted for a couple peripheral members of the family. There’s that stock photography I need to stand in place of something beyond the scope of my budget and time constraints. Will both or either suffice?

What the hell am I doing with Yellow Horse? Can it ever be more than a shingle? Its conceit is that a collection of quality products can shine light on one another as they become known, growing the brand, and filling the gaps caused by having not spent years of networking in the publishing and entertainment industries, industries that keep changing. What does it mean to place a book or market a film, anymore? What if a better than average film draws attention to a brilliant book, which in turn draws attention to an eerily adorable animated series. Can YHP&P be a golden pot of projects from which larger, more connected entertainment entities can mine?

Should I sell my condo at the shore? I love the inside, but I’m no longer wired for associations and their by-laws upon by-laws that seek to prevent all conflict with adults who cannot act responsibly with an intact intellect? How much longer can I allow a few dozen people to legislate my peace of mind? Mandatory annual inspections? Too many damn noses for too little whiffs of common sense, if you ask me.

Christ, I’ve got lots of driving to do in the next few weeks.

Then there are a few new projects I want to start. I think. I want to draft a sequel to HorrorCon that begins right where the original ends. I’ve got three book ideas, one a non-fictional account of the ten months it required to shoot the film. I think I want to call it My First Rodeo: A Year-Long Account of Indie Filmmaking. I also like Herding Cats: The Unlikely Capturing of HorrorCon the Film. Had thirty, terrifying days in the span of three months shooting a film in several busy, public spaces cooked my brain too much to focus on what would come after? Possibly. It could be that being “in over my head” had become what life feels like, which would explain my suicidal compulsion to complete two novels of fiction, with at least one in mind as a screen adaptation, all in the span of a year. The Thunders tells the story of a lonely, phobic writer who, while researching a little-known tribe of demon-battling Native Americans who used evil spirits to fend off imperialist settlers, follows too closely in their tracks. In doing so, he winds up caring for a desperate crush who he’s inadvertently helped fall into demonic possession. Another, The Unveiling, takes us back to the turn-of-the-20th Century when the Impressionists were making their mark on the art world and introduces us to a mysterious Picasso that may hold some important clues to a series of horrendous murders happening around Paris and New York.

And what about sWitch? Shouldn’t I adapt that one, too?

And I still haven’t experienced my “ahhh” moment, or that moment of blessed relief after a film’s final scene is wrapped. We shot it, I remember that. I remember a congratulatory hug from my leading man, and holding my leading lady while she expressed how things would be so “weird” from here on out. There would be no shoots to look forward to – or to fret over – in the foreseeable future. Then I remember packing up and the smack of bitterly cold air as I left the hotel. But I don’t remember feeling much of it. We wrapped very late after a very long day, so maybe that’s why I only rolled into a strange exhaustion and am now sitting here trying to piece it together a full ten days later.

There’s also still so much to do. I now have to prove that I knew what I was doing when I was forever pointing and instructing. Of course, I’m not sure I really did know. I went wholly on instinct, an instinct that I’d honed from nearly forty years of movie watching. At one point I was digesting three a day. It helped to lose weight when I was a wrestler. Instead of dreaming about food – any kind of food – I would enter the dreams of films. I did have my experience as an industrial video producer to help support some of my assumptions. Having been through some grueling shoots covering tens of thousands of square feet in a single day did teach me to move fast, yet carefully. How careful was I? I guess I’ll find out soon enough. One thing I’ve learned from my research is that, regardless of the name making the film, few have professed to know what they were doing when they were making it. That helps a little.

So, I find myself in a languorous sort of limbo. I’m tired, but my brain is busy. That seems to best describe my life up to this point. Oh…almost forgot the ticking bomb in the closet. That’s what I call the force that pushes me to finish these projects before some form of disease catches up with me. If one doesn’t in premature time, I’m thinking car crash. I’ve had my share, and a frayed nerve somewhere in my medulla feels I’m due. It’s troubling to drive, to be honest. I tap my finger whenever a car passes too close to the median stripe, or if a car rolls up too quickly at a cross road. There have been no fewer than three occasions in the last month where I’ve either had to lock up my brakes or swerve thanks to the thoughtless driving of others, and I sense the sickening moment is getting closer. Or is that just my mind, drafting another tale? How I loathe being between projects/tasks/opinions…holidays.

Have I mentioned all the driving I’ve got to do in the next few weeks?

And yet, I am happy. My kind of happy.

Now, off to locate two, 2-terabyte drives. I woke in a panic this morning realizing that a few of my shoots hadn’t been backed-up in triplicate.

While the marketing of sWitch continues, mainly in the form of soliciting book reviews and updating the blog, I’ve been hard at work gathering my cast and crew for H,tM. That title works for my purposes here, as there could be confusion with the novella, but it will be released simply as HorrorCon. Cue screaming and fainting. Hopefully.

Actually, the story is more emotionally harrowing, and very different from what one might expect of a horror film these days. In fact, I describe it as an indie-horror, as it deals far more with character development and circumstances than blood-soaked peril. It’s actually amusing to think how few traditional elements of the typical horror yarn are in attendance. There is no nudity (although, it is implied), no blood (save a few small drops), and no body count (per se). But what is there is suggested in an exciting and intriguing way. In other words, if I do my job, you’ll feel far more than what you may be used to. Every piece of dialog and action counts, with grave circumstances looming like a yellow moon.

At the moment, I’ve got my hands filled with casting. Back in July I posted a notice on the industry networking site Massify.com, and took out an ad in Backstage magazine. Before I knew it I had nearly 400 resumes and replies in my inbox. Picking through them was fun, but also extremely challenging. There was no way I was going to be able to see all those interested, so how do I pare down my choices? Obviously, those with the best looks for the various roles found themselves in a special folder. Then I checked all corresponding reels and related media. Once I narrowed it down to those who seemed both capable of what I was looking for and legitimately enthusiastic about the project, I found myself drafting an email to over 80 hopefuls. Since I was dealing with 6 principal characters and a handful of minor roles, I still needed to get the number down to a manageable list. Again, what was most important to me was genuine interest in the material. I wanted actors who believed in the project and saw participating as a way to both further their careers and create something special.

After sending the script to a more select list, and few email updates later, I opened the process to video submissions. This allowed those who didn’t have a reel to compete on the same level. They could read from the script, juggle kittens, make a sandwich, or just say hello. And they only had to show me what they wanted me to see. It gave those who I might not be able to meet with in person a distinct advantage in some ways, and could submit as many videos as they liked. Enthusiasm and ability: that’s what I’m looking for. So far, I’ve received a couple and am waiting on a few more.

As it stands, I’m still working on a date to travel to NYC for in-person reads and meetings. The number in contention is much smaller now–down to a few dozen–and I’ll say it’s getting very difficult to decide on some of the roles. Everyone has their strengths, and my mind has been opened to various physical types for the characters. What makes it even more difficult is that I’m dealing with what seem to be some very nice people. Damn them.

There will be a new website/blog once production gets underway, and I’ll include those updates here so those who follow scottStories can take the journey with us. I’ll also be asking for hand-outs. Literally. I’m submitting my proposal to crowd-funding website Kickstarter.com this week, and there will be some juicy rewards for even the smallest donations.

We’re making movies, people, and I’m really very excited. Next update may include my attempts at licensing movie clips and music, and after that, photos and descriptions of shooting locations. I think I’ve found some great places to scare and move the faithful, and by then, a few talented people to help me. For now, I leave you with an example of something I may have done as a boy…

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