The Horror…the horror…
December 21, 2011

I didn’t do well with sleeping, last night. I woke up an hour after drifting off, switched on the TV, switched it off, switched it on again, switched it back off, and finally turned the fan up so high that I could hear the wind rushing past my ears. I often need cold temperatures to sleep, as if going into hibernation. Maybe my brain atrophies just enough to allow my inner worlds to recede into the ether. Maybe, I just need a good snuggle. Dunno.
I also had quite a bit on my mind with the holidays returning and the completion of principal photography for HorrorCon. Have I forgotten to get someone a gift? Have I forgotten to shoot something? There’s that gift card I wanted for a couple peripheral members of the family. There’s that stock photography I need to stand in place of something beyond the scope of my budget and time constraints. Will both or either suffice?
What the hell am I doing with Yellow Horse? Can it ever be more than a shingle? Its conceit is that a collection of quality products can shine light on one another as they become known, growing the brand, and filling the gaps caused by having not spent years of networking in the publishing and entertainment industries, industries that keep changing. What does it mean to place a book or market a film, anymore? What if a better than average film draws attention to a brilliant book, which in turn draws attention to an eerily adorable animated series. Can YHP&P be a golden pot of projects from which larger, more connected entertainment entities can mine?
Should I sell my condo at the shore? I love the inside, but I’m no longer wired for associations and their by-laws upon by-laws that seek to prevent all conflict with adults who cannot act responsibly with an intact intellect? How much longer can I allow a few dozen people to legislate my peace of mind? Mandatory annual inspections? Too many damn noses for too little whiffs of common sense, if you ask me.
Christ, I’ve got lots of driving to do in the next few weeks.
Then there are a few new projects I want to start. I think. I want to draft a sequel to HorrorCon that begins right where the original ends. I’ve got three book ideas, one a non-fictional account of the ten months it required to shoot the film. I think I want to call it My First Rodeo: A Year-Long Account of Indie Filmmaking. I also like Herding Cats: The Unlikely Capturing of HorrorCon the Film. Had thirty, terrifying days in the span of three months shooting a film in several busy, public spaces cooked my brain too much to focus on what would come after? Possibly. It could be that being “in over my head” had become what life feels like, which would explain my suicidal compulsion to complete two novels of fiction, with at least one in mind as a screen adaptation, all in the span of a year. The Thunders tells the story of a lonely, phobic writer who, while researching a little-known tribe of demon-battling Native Americans who used evil spirits to fend off imperialist settlers, follows too closely in their tracks. In doing so, he winds up caring for a desperate crush who he’s inadvertently helped fall into demonic possession. Another, The Unveiling, takes us back to the turn-of-the-20th Century when the Impressionists were making their mark on the art world and introduces us to a mysterious Picasso that may hold some important clues to a series of horrendous murders happening around Paris and New York.
And what about sWitch? Shouldn’t I adapt that one, too?
And I still haven’t experienced my “ahhh” moment, or that moment of blessed relief after a film’s final scene is wrapped. We shot it, I remember that. I remember a congratulatory hug from my leading man, and holding my leading lady while she expressed how things would be so “weird” from here on out. There would be no shoots to look forward to – or to fret over – in the foreseeable future. Then I remember packing up and the smack of bitterly cold air as I left the hotel. But I don’t remember feeling much of it. We wrapped very late after a very long day, so maybe that’s why I only rolled into a strange exhaustion and am now sitting here trying to piece it together a full ten days later.
There’s also still so much to do. I now have to prove that I knew what I was doing when I was forever pointing and instructing. Of course, I’m not sure I really did know. I went wholly on instinct, an instinct that I’d honed from nearly forty years of movie watching. At one point I was digesting three a day. It helped to lose weight when I was a wrestler. Instead of dreaming about food – any kind of food – I would enter the dreams of films. I did have my experience as an industrial video producer to help support some of my assumptions. Having been through some grueling shoots covering tens of thousands of square feet in a single day did teach me to move fast, yet carefully. How careful was I? I guess I’ll find out soon enough. One thing I’ve learned from my research is that, regardless of the name making the film, few have professed to know what they were doing when they were making it. That helps a little.
So, I find myself in a languorous sort of limbo. I’m tired, but my brain is busy. That seems to best describe my life up to this point. Oh…almost forgot the ticking bomb in the closet. That’s what I call the force that pushes me to finish these projects before some form of disease catches up with me. If one doesn’t in premature time, I’m thinking car crash. I’ve had my share, and a frayed nerve somewhere in my medulla feels I’m due. It’s troubling to drive, to be honest. I tap my finger whenever a car passes too close to the median stripe, or if a car rolls up too quickly at a cross road. There have been no fewer than three occasions in the last month where I’ve either had to lock up my brakes or swerve thanks to the thoughtless driving of others, and I sense the sickening moment is getting closer. Or is that just my mind, drafting another tale? How I loathe being between projects/tasks/opinions…holidays.
Have I mentioned all the driving I’ve got to do in the next few weeks?
And yet, I am happy. My kind of happy.
Now, off to locate two, 2-terabyte drives. I woke in a panic this morning realizing that a few of my shoots hadn’t been backed-up in triplicate.
Rock and Roll Literature
October 13, 2008
Fuck it. If Scare Appallin’ can burn books and get away with it, I sure as hell can. But my burning book leaves no smoke. It just smokes the dinosaur brains of those who would try and silence anyone’s power and vision.
In fact, I aspire to write a hardbound, genre-bending tale that the Puck-Dropping Pageant Also Ran would push her secessionist weirdo of a husband into a snowdrift and trip over her snowmobile to burn. In other words, I want to burn a book from the inside out, using only words and ideas to do it.
And I don’t want anyone to be able to stand back and watch the words vanish into the Northern Lights, smug in the knowledge that they’ve rid another dissenting voice from the eyes, ears and minds of the world. I don’t want anyone to be able to say they discouraged anyone from writing the most explosive, challenging, and shocking piece of literature ever written. For those who would try, I want to shake the shit out of their rudimentary and self-righteous ganglion clusters. I want them to cry, or better yet, worse; hailing from Jersey as I do, leaving no witnesses gets me off. I want to write the censoring czars to death.
I’ve been off-handedly referring to my style as Rock and Roll Literature. What makes it different from, say, a hard R-rated graphic novel or comic serial in Heavy Metal or Epic magazine? Besides not having any illustrations, I dunno. Probably not much if you take some of the most irreverent and penetrating prose from any decade and explored it in the context of its time. I’m certainly not trying to place my writing in the same category as the important works of some of the world’s greatest literary minds, but let’s just say I want to write a pop/rock/punk word record that punches a hole in your rigaramole.
But I don’t want to just come at you extreme. I want it to have humor, depth, individual style, and clear purpose. Cause that’s where the impact is so strong that the hole out the back of your head is ten times the size as the one that enters your face. I say with my Jack-O-Lantern tongue sticking out that I don’t want to hurt you unless you try and piss on my candle to keep me quiet and shut my eyes. If you’re the kind that would try, then I will effort to shock you with my free-thinking soul, believe it.
Great rock records change the way we see things. First and foremost, I want my books to be lots of fun. But I’d also like to change the way you think about yourself and the world – even if it’s only in the smallest of ways. I want to blow your attention deficient eyedrums out with a fresh hell that will wake you and strip you of what you think you know, and titillate you in ways that may also terrify you. But most of all, I want to find new avenues to explore and get those who dare to be on the same page excited to read more.
Rock and Roll Literature. Burning down the shelves.
